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Yohji Yamamoto silk crêpe de chine jacket

 

Yohji Yamamoto jacket

Faced with the rare opportunity to see live a piece of the great master of the so-called Japanese school, Yohji Yamamoto, the public reaction is always the same: silence and an expression which instantly makes you to say, quite simply, 'Here we are beyond'. Beyond fashion, beyond seasonal trends, beyond what normally you can see around, beyond the rampant boredom of making clothes with tolerance range.

In increasingly critical times for clothing, where less space is given to the know how to do, where production times are increasingly compressed to reduce costs and, above all, increase the profit margins of manufacturers, to be able to intercept a garment of Yohji Yamamoto is like finding rest after a long wandering. Because the high tailoring, applied to usable models and eloquent design, can thrill like any other noble artistic expression. And Yohji more than ever, is skilled weaver of ancient knowledge and contemporary solicitations, gained in metropolitan areas with high concentration of relations and reflections. Maturity that is reflected on all his work and that the selected jacket testifies in the poetic intensity of silk chine crepe worked with ancient and laborious Ikat dyes and in the radical side asymmetry. A rear diagonal accompanies the longest panel in fantasy with the same harmony with which, reclining on one side, he paints the feminine silhouette. The consistency is imperceptible, textile wonder that, in a garment constructed and finished with such rigor, can, however, result in a clothing of unimaginable comfort. Despite the devoted passion of Yohji for the formal potential of the black color, one side of the jacket is completely stained with a fuzzy haze of purple with blue irregularities and traditional final decorations to give life to a piece that only worn once, it reveals to be a true masterpiece!

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